by Mary Cate Smith, 29th January 2016

Olwen Fouéré has always been something of an enigma to me. Her long bleach blonde hair, her piercing eyes, that deeply resonant voice, earthy and strong, her onstage presence electrifying. And it is that same magnetic presence, that mesmerising voice that draws us in in The Emergency Room theatre company’s adaptation of Samuel Beckett’s Lessness, currently playing in the Project Arts Centre. Watching her perform this abstract prose piece sends the audience on a tumultous journey into sanity and back again. The stillness, the poise, the lack of movement allows the audience to hone in completely on the text and attempt to dissemble the random order of stark imagery presented by Fouéré as she listens through headphones and slowly recounts Beckett’s words in an abruptly staccato manner.

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